Lady Llanover and the National Costume of Wales

Augusta Hall, ‘Lady Llanover’, 1802-1896

To start off Women’s History Month which falls on St David’s Day, I thought Lady Llanover who was a pioneer for Welsh folk culture and keeping Welsh traditions alive was quite apt.

  • Augusta Waddington was born on the 21st of March 1802 to Benjamin Waddington and Georgina Port, Llanover, Monmouthshire. 
  • Augusta married Benjamin Hall of Abercarn and Hensol - he was an MP before becoming a peer in 1859. He oversaw the building of the great clock of Westminster, the bell and tower was called 'Big Ben' in recognition of his work. 

Lady Llanover was an advocate for Welsh folk culture, her home became a meeting place for Welsh poets, authors and musicians. She favoured the traditional ways of life, which included Welsh speakers as servants, Welsh services at Llanover church, and made sure the Welsh language was taught at the two schools in Llanover. Augusta became one of the main promoters of the triple harp as the national instrument of Wales, her contributions are connected with the eisteddfodau of Cymdeithas Cymreigyddion y Fenni (The Abergavenny Cymreigyddion Society).  Furthermore, she ‘resurrected’ a family harpist as a tradition, and gave scholarships to learn to play the harp at Llanover. The traditions of the Mari Lwyd (more information here) and the Plygain (more information herewere prominent, she organised dances at Llanover to preserve Welsh folk dance.

Her essay on ‘The Advantages resulting from the Preservation of the Welsh Language and National Costumes of Wales’ won in 1834 under her bardic name ‘Gwenynen Gwent’. This essay, along with the National Costumes of Wales album formed the basis of Welsh national dress which was seen in national celebrations. Llanover wore the costume every Sunday and her ‘sponsorship of competitions for the best cloth or flannel samples, knitted or dyed in the national check or strips, introduced the craft element to the eisteddfod’.

Sian Rhiannon Williams stated that Llanover was 'an important figure in the creation of the image of the ideal 'Cymraes'. Her drawings of local native dress formed the basis of a national costume worn by the typical Welsh 'girl'. Cymraes meaning 'Welshwoman'.  (see bibliography for citation) 

John Davies demonstrated that Augusta's effort to preserve Welsh folk culture was prominent in her home life, she wanted Llanover Court to become the focus of Welsh culture and 'it became the repository of the manuscripts of Iolo Morganwg and it was there that the image of what came to be regarded as the traditional Welsh costume was created'. 


Image of Welsh women's national costume, photo taken by me. The image can be found at St Fagan's National Museum of History's exhibition 'Cymru... Wales... is'

Sadly, after the death of her husband in 1867 Llanover retreated from public life. She died in 1896 and was buried in the cemetery of St Bartholomew, Llanover. 

Bibliography:

Augusta Hall, https://www.peoplescollection.wales/content/bee-gwent

Image of Augusta Hall https://www.peoplescollection.wales/items/7248#?xywh=-160%2C-56%2C1159%2C701

John Davies. A History of Wales. 2007. (page 376)

Sian Rhiannon Williams ‘The True ‘Cymraes’: Images of Women in Women’s Nineteenth-Century Welsh Periodicals’ in ‘Our Mothers’ Land: Chapters in Welsh Women’s History, 1830-1939 edited by Angela V. John. (page 77)

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